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Simon Penny is an artist, theorist and teacher with a longstanding focus on emerging technologies and on embodied and situated aspects of artistic practice. He has built interactive installations and robotic art since the mid 1980s. He explores – in artistic and scholarly work and technical research – problems encountered when computational technologies interface with cultural practices. His longstanding concern for embodied and situated aspects of aesthetic experience, along with a critical analysis of computer culture are the the focus of his book Making Sense: Cognition, Computing, Art and Embodiment (MIT press 2017). He was director of A Body of Knowledge: Embodied Cognition and the Arts conference UCI 2016, and An Ocean of Knowledge: Pacific Seafaring, Sustainability and Cultural Survival at UCI in 2017.