|
 
|
11/13
|
|
|
|
Kickoff
|
|
|
|
Cards
|
|
|
|
Assignment status
|
|
|
|
Assignment 1 is mostly graded
|
|
|
|
Assignment 2 is being graded
|
|
|
|
Assignment 3 is due Monday
|
|
|
|
Notes from Shaping Things 7-10
|
|
|
|
"Trash is always our premier cultural export to the future"
|
|
|
|
Valuable things wear out
|
|
|
|
People go away, things remain
|
|
|
|
most of the things are "pollution"
|
|
|
|
MAYA
|
|
|
|
"Most advanced - yet Acceptable"
|
|
|
|
Designers as gatekeepers
|
|
|
|
Advancement as a continuum -> "Most"
|
|
|
|
"Yet" implying resistance
|
|
|
|
A perfectly designed solution must also address the cultural impact to be successful
|
|
|
|
Being designry/ galmorous
|
|
|
|
Helped to seduce customers
|
|
|
|
See also Steve Jobs
|
|
|
|
"No material thing can ever achieve full an utter acceptability"
|
|
|
|
"A thing is not merely a material object but a frozen technosocial relationship"
|
|
|
|
Acceptability changes
|
|
|
|
Lucky Strike
|
|
|
|
Meta-History and Advanced are intertwined
|
|
|
|
Gizmos
|
|
|
|
Free is not the metric it used to be
|
|
|
|
Loss-Leader
|
|
|
|
Wine
|
|
|
|
Why can't Sterling now all about the product?
|
|
|
|
All the ways in which things - apparently free - are not really free
|
|
|
|
Transportation, exact chemical analysis, labor practices
|
|
|
|
Transparent production
|
|
|
|
Critical for a society determined to continue surviving
|
|
|
|
What are the consequences?
|
|
|
|
Of buying the wine
|
|
|
|
Of drinking the wine
|
|
|
|
Of discarding the rubbish
|
|
|
|
Who should reveal the consequences?
|
|
|
|
Designers
|
|
|
|
Spimes
|
|
|
|
Things with transparent consequences
|
|
|
|
"A spime is a set of relationships first and always, and an object now and then"
|
|
|
|
"A Spime is an identity of a thing"
|
|
|
|
quote on page 78
|
|
|
|
The bar code has become the method for naming the flows of material and energies coming together at one time and place
|
|
|